1 February 2006Open Subchannel DI never thought about this, but now that it's come up:
If you're recording an audiobook, how do you handle the footnotes? What if the character falls down a well? Should the your voice change? And are you true to the punctuation, breathing, pausing, lifting your voice as originally heard in the author's head? These are some of the little dilemmas facing the people who put a voice to a book.
I do know that when I'm called upon to read out loud mercifully, these days this is for the benefit of a child or occasionally two, not for a grade which goes on my Permanent Record I do my best to provide the inflections I think are indicated by the material, and try not to sound too much like a dork. (Exception: when I'm reading something that's supposed to be dorky.) It's been suggested to me once or twice that I should put out some of this here drivel in book form, and I've always fended off the idea with "What would I do with the links?" Actually, this question has already been answered. In 1997, Wired Books (then related to the magazine) put out a compilation of articles from my favorite Webzine under the title Suck: Worst Case Scenarios in Media, Culture, Advertising, and the Internet, edited by Joey Anuff (who used the Suckronym "The Duke of URL") and Ana Marie Cox (then "Ann O. Tate," more recently "Wonkette"). The articles were printed with the links highlighted; a line was drawn from the link to a sidebar, which contained the pertinent section of the linked material and its URL, in a wholly-different font so you wouldn't be confused by all this linear digression. At the time, it seemed freaking ingenious; today, it seems, well, freaking ingenious, even if you can click on a link in a PDF file these days. Posted at 7:04 AM to Almost YogurtSouds like the mishnah to me. Posted by: miriam at 9:08 AM on 1 February 2006 |