A brief bit of facepalm-worthy goofiness from a Rebecca Black rehearsal last week:
She did a second Ustream Thursday afternoon, fraught with sound issues. (Which perhaps was an improvement over the first one, which had no such technical problems but which was marred by side commentary from various low-level griefers.) She blamed the dubious audio on having to use her manager’s Mac instead of her own, which was hors de combat for some reason. Points, though, for remaining cool under pressure. And I admit to something of a grin when someone streaming the show sent her a marriage proposal, and she replied demurely, “Isn’t this a little early in the relationship?”
Yes, I’m acting like an overstewed fanboi. Deal with it.
Even Black sees how her trajectory doesn’t exactly follow the norm for overnight sensations, and admits it wasn’t always easy to stick to the well-considered career path she and her advisors have followed.
“It definitely was hard a lot of the time,” she later says of the methodical way her post-“Friday” career has unfolded. “It’s so easy — we could have just recorded a bunch of songs really fast and just put them out there while ‘Friday’ was ‘the thing.’ And yeah, they would have gotten a lot of attention. So it was hard.
“But everyone told me, ‘It’s OK, you can wait.’ And I’m so glad I waited. It’s a hard thing to understand when you’re young, and being that I’m impatient, too.”
The getting of wisdom, a little at a time.