You may recall this from Vent #832 last week, about a recently-purchased download of “The Hair on My Chinny Chin Chin” by Sam the Sham and the Pharaohs:
Both versions [45 and LP] open with four drum beats, intended to be a knock at the door. (We know it’s intended to be a knock at the door because the chorus chimes in, “Who’s there?”) For some reason known but to God, or to one or several little pigs, three of those beats have been trimmed away, thus making the whole opening sequence incomprehensible. This is a failure only a massive corporation — say, Universal Music, who owns these tracks of late and presumably provided copies to the download stores — could possibly pull off.
I could either wait for a reissue producer to knock on Universal’s door, or I could fix this myself. And so it was that last night, I ripped just the four beats from the stereo LP, and then pasted them into the purchased file at the appropriate point. I’m sure this violates someone’s perverse idea of current copyright law, which is pretty perverse in its own right, but hey: they messed up.
Incidentally, I didn’t bother to correct the stereo spread, so the knocks appear to be coming from the left side, then the rest of the song shifts to mono. I’d argue that it makes sense that way.