The following things you need to know about Diversity by Emily Bear:
- This is her sixth album, though her first on a major label (Concord Jazz);
- All thirteen tracks are her own compositions;
- She turned twelve at the end of August.
While a lot of her YouTubage shows her in front of orchestras, she’s fronting a traditional jazz trio here, with Carlitos del Puerto on bass and Francisco Mela on drums. Zuill Bailey drops in for cello parts on four tracks. And it’s a very traditional sound indeed; you could imagine this fifty years ago on Verve with Creed Taylor at the board. It’s not, however, particularly diverse. Not that I mind; I could listen to this stuff for hours on end. Quincy Jones, Bear’s producer and mentor, has provided a particularly lovely acoustic aesthetic. Oddly, the weakest number here might be “Q,” her tribute to the master, which never really gets off the ground. Favorite track? Perhaps the leadoff, “Northern Lights,” which does an admirable job of setting the stage for what’s to come. And I admit to cracking several smiles at “Salsa Americana,” which opens up wildly like an old Tito Puente record and then suddenly heads downtown.
You can hear all thirteen of these tracks (via Soundcloud) on emilybear.com; I decided I wanted a copy for my shelf, and bought the CD.