The Finch Formerly Known As Gold

10 December 2007

Theme with wild variations

Tomorrow night marks the premiere of Playwrights Horizons' production of Doris to Darlene, a Cautionary Valentine, a new play by Jordan Harrison, directed by Les Waters. The premise:

Doris to Darlene, a Cautionary Valentine begins in the candy-colored 1960s, when a biracial schoolgirl named Doris (de'Adre Aziza) is molded into pop star Darlene by a whiz-kid record producer (Michael Crane) who culls a top-ten hit out of Richard Wagner's Liebestod. Rewind to the candy-colored 1860s, where Wagner (David Chandler) is writing the melody that will become Darlene's hit song. Fast-forward to the not-so-candy-colored present, where a teenager (Tobias Segal) obsesses over Darlene's music — and his music teacher (Tom Nelis). Three dissonant decades merge into an unlikely harmony in this time-jumping pop fairy tale about the dreams and disasters behind one transcendent song.

Pictures and background here, though if you're anything like me, what you want to know is what sort of pop tune can be coaxed out of Tristan und Isolde. Herewith the answer, though I will not be responsible for any reactions by Mad King Ludwig.

Posted at 7:08 PM to Tongue and Groove

The description alone gives me mental seasickness from the lurching back-and-forth between "candy colored" decades. (Funny. Maybe I'm U.S.-centric but I'd hardly describe the 1860s as "candy colored.")

Posted by: fillyjonk at 7:20 AM on 11 December 2007