You’ll notice that no one actually wants this structure to be torn down or anything:
If you’ve walked past New York’s Metropolitan Museum of Art lately, you’ll have noticed the brand-new plaza in front of the building with the Beaux-Arts façade that is home to America’s greatest art collection. Whenever alterations are made to a familiar structure, opinions usually vary widely and sharply. But one view is currently drowning out all others: Several art critics are miffed by the fact that golden letters emblazoned on the Met’s new twin fountains identify the site as the David H. Koch Plaza, in honor of the trustee who wrote the $65 million check that paid for it in full.
And it’s not like you haven’t seen this sort of thing before:
In our bipolar age, political purists are increasingly disposed to raise a stink whenever arts groups accept gifts from sources deemed by said purists to be unworthy. This tendency initially manifested itself in the case of tobacco companies like Philip Morris International that supported the arts. No doubt the company’s commitment to what it calls “corporate social responsibility” was in part an attempt to divert attention from its less-than-socially responsible products. Nevertheless, the fact of its generosity is not to be ignored — or despised.
If you think about it, the idea of a “political purist” is absurd on the face of it: nothing in politics is “pure,” or ever can be, and those who would pride themselves on their ideological purity tend to be delusional, or worse. If you object to Koch Brothers money, but happily tolerate dollars from George Soros — or, for that matter, the other way around — I, for one, am grateful that there isn’t a damned thing you can do about it.