Next Wednesday, an exhibit called Killer Heels opens at the Brooklyn Museum, and this is what we should expect:
Killer Heels explores fashion’s most provocative accessory. From the high platform chopines of sixteenth-century Italy to the glamorous stilettos on today’s runways and red carpets, the exhibition looks at the high-heeled shoe’s rich and varied history and its enduring place in our popular imagination.
So far, so good. Now to get right down to the real nitty-gritty:
As fashion statement, fetish object, instrument of power, and outlet of artistic expression for both the designer and the wearer, throughout the ages the high-heeled shoe has gone through many shifts in style and symbolism. Deadly sharp stilettos, architecturally inspired wedges and platforms, and a number of artfully crafted shoes that defy categorization are featured among the more than 160 historical and contemporary heels on loan from designers, from the renowned Brooklyn Museum costume collection housed at the Metropolitan Museum of Art, and from the Bata Shoe Museum.
At least one of the shoes on exhibit defies not only categorization but recognition:
Guided by her 30 years of experience working with complex structural principles on all scale levels, [Zaha] Hadid has developed an innovative cantilevered system that allows the staggering 16cm (6.25 in) heel to appear completely unsupported.
The rhythmic, articulated transformation of the shoe’s composition encapsulates the seamless integration of materials, inventive engineering and highest standards of comfort. As Hadid’s most recent expression of this symbiotic association, the NOVA shoe design transcends the disciplines of fashion and architecture.
Now I’m just trying to imagine suitable accessories.