For someone like me, an afternoon alone feels more like a blessing than a curse. I’ve said to a colleague of mine before and I’m not quite sure he gets it that sometimes I “run out of words” and just need to be where I don’t have to talk to people or even, necessarily, be verbal at all. (That’s why I knit and quilt as a hobby. Oh, granted, you do need to read patterns for those, but a lot of the time you’re not dealing with words). And why most of the music I choose is instrumental. I mean, I love words I wouldn’t have a blog otherwise but sometimes I just run out of them. Or, more correctly, don’t feel like using them.
One of the reasons I tend to show up at the office around six-thirty is the fact that it will likely be an hour and a half before I actually have to talk to anyone. A lot can get done in those ninety uninterrupted minutes, and sometimes it actually does.
And those of us who have lived alone for many years, I think, are likely to be much more annoyed by People And Their Damned Interruptions than those with a full house and a low signal-to-noise ratio.
You’ve seen the term “girlmobiles” bandied about here, as a shorthand for vehicles bought primarily by women. (Some people say “chick cars,” but I try to avoid the term “chick,” since the babes don’t much like it.) Admittedly, I have not given a whole lot of attention to the other side of the continuum.
So: boymobiles. Edmunds.com Inside Line describes ten of them thusly: “phallic, fast and pricey.” In tenth place, presumably the least such conveyance, is Chevrolet’s Corvette, which sells 86 of every 100 to men, or at least to males.
The Ferrari 458 Italia wins whatever award there is for being the most “manly” machine, corralling a 95.3-percent male market. (The other 4.7 percent, I assume, is Paris Hilton.)
I would suggest that the Inquirer change its name to the Democrat-Inquirer, and the Daily News to the Daily Democrat News. Just to be honest.
I can see his point: those Philly papers have been reliable supporters of Democratic Party initiatives and candidates in recent years. But I look a little closer to home, and note that the Arkansas Democrat was decidedly to the right of the rival Arkansas Gazette. And in 1991, the Gazette’s owner (Gannett) sold out to the Democrat, which remains a right-of-center paper to this day.
For today’s scam, we have a fake reservation confirmation:
You should check in from 24 hours and up to 60 minutes before your flight (2 hours if you’re flying internationally). After that, all you need to do is print your boarding pass and head to the gate.
Confirmation code: 329679
Check-in online: Online reservation details
According to the “details,” which conceal a link to a site in Chile, I’m booked on US Airways Flight 7952, scheduled to leave DCA (Reagan National) at 10 pm Thursday. As it happens, US Airways does have a Flight 7952, but it’s a West Coast route, from SFO (San Francisco International) to BUR (Bob Hope Airport, Burbank).
And I’m still fuzzy on how I’m supposed to check in and then print my boarding pass.
And I almost didn’t recognize it: apart from a couple of spots on the handle where the paint had scraped away, it looked brand new. From the looks of the invoice, they replaced everything that moved, and a couple of things that didn’t: even the handle grips are new. I can’t imagine they’re making a whole lot of money on this at the $90 (plus tax and the usual shop-supplies fee) price tag. I admit to not having tried out the machine yet: there was baby stuff to deal with when I got home, plus storms on the horizon. Still, all the parts about which I had doubts were replaced, so I’m going to assume that All Is Well.
Incidentally, once I wheeled the mower out to the car, I took the handle off so I could get it into the trunk; a fellow in a Ford, just pulling in, offered to help me boost it. I thanked him and waved him off, sure I could get it myself. He probably had no idea this machine weighs barely 60 pounds.
One of these days, I expect to see Grizzlies vs. Thunder: A Quentin Tarantino Film. Seriously. The violence level fits, and tonight Scott Brooks Scott Brooks! drew a technical for saying God knows what. All you need to know about this one, though, is this Thunder statistic: Two fast-break points. Two. That’s how stifling the Memphis defense was, and when O. J. Mayo lofted a 25-footer at the shot-clock buzzer with 17 seconds left to put the Grizzlies up four, Loud City assumed an eerie quiet. OKC pulled within two on a pair of Russell Westbrook free throws, but Zach Randolph got two of his own, and Tony Allen tacked on two more just to rub it in. It’s the first time Memphis has beaten Oklahoma City this season in four tries, but it’s the one that’s going to hurt the most. Grizzlies 94, Thunder 88, and it pulls Memphis a couple of percentage points ahead of Dallas for the fifth seed in the West. (At this writing, the Mavs are being pounded by the L. A. Clippers.)
Mayo, in fact, outscored everyone: he had 22 points. Jeremy Pargo, starting in place of the ailing Mike Conley, came up with an unexpected ten; Zach Randolph, beside O. J. on the Memphis bench, had ten more. The Griz did not shoot well 39 percent, 4 of 16 from beyond the arc but they nailed 22 of 24 from the stripe. (The Thunder likewise put up 24, but only hit 17.) What Memphis does best, though, is force turnovers, and OKC obligingly coughed up the ball 18 times.
You have to assume that Westbrook is not happy with 5-16 from the floor (19 points), and Kevin Durant is less than pleased with 8-20 (21). Rebounds were even, OKC was up two in assists, but where’s the ball going through the net? “It wasn’t a lack of effort,” said Brooks; “we were out of sync.” Outscored 52-44 in the second half, they were evidently syncing out of sight.
Now to take it to South Beach. The Heat will not be in a forgiving mood, I suspect.
For those of you keeping score, the total grandchildren count is now up to six. Becky texted me to advise that they were going to induce labor; by the time I actually got to read said text, the youngster had already emerged.
Anyway, if you’re so inclined, say hello to Liam Luke Carson, born 4/2/12, 9 lb 8 oz, 21″, and somewhere around 85 decibels. Major lung power runs in the family, you may be certain. Pictures will follow when I can get some.
(Once again, I had to issue the Standard Reminder of how these things happen. They never learn.)
To update the books: this is Becky’s third, following Nick and Allison. Russ has three: Laney, Jackson and Gunner. That’s half a dozen. Considering I’m not yet 60, you’d think this would be plenty for a while.
Once in a while one of those image macros actually gets to me. I lost the link, and I can’t bring myself to go back through three weeks of Facebook ephemera to find it, so I’ll simply tell you that it’s a simple picture of an old man on a bench under a streetlight, saying “For fifty years, I have loved only one woman.”
Next panel: “If only she knew.”
Now jump back in time six centuries or so:
This is a miniature attributed to the Persian painter Kamal al-din Bihzad, circa 1495, depicting Majnun (“he who is possessed”), the poet formerly known as Qays, laid to rest beside his beloved Layla, whom he could never, ever approach.
The story goes back at least to seventh-century Arabia, though the best-known version was created by Persian poet Nizami Ganjavi in 1192. They met as children, and were promptly barred from each other’s company by the parental units. In time, she was betrothed to another; Qays slowly, then not so slowly, seemed to go mad. In an effort to free the lad from his madness, his father took him on the Hajj; not only did it not work, but Qays actually raised a hand to the Kaaba itself:
“None of my days shall ever be free of this pain. Let me love, oh my God, love for love’s sake, and make my love a hundred times as great as it was and is!”
By now Layla must have forgotten him, and the madman wandered through the desert, singing the praises of his lost love. Passers-by listened to his songs, and sometimes they wrote them down. Eventually those songs reached Layla, who has not forgotten him at all: she could not, of course, respond, but she wrote her own messages and cast them forth, hoping the wind would carry them to him. And while she had married, that marriage had not been consummated, as she could not in good conscience participate. Her husband, understanding, chose not to press the issue.
Years passed, and the wind, helped by travelers who knew of Majnun and his plight, did bring Layla’s messages to him, and he gave thanks that she lived. A man named Zayd became their go-between, carrying messages back and forth; eventually they would meet at twilight, keeping a decent distance of ten paces between them, speaking in that mysterious tongue only lovers know, until the break of dawn.
And they were still apart when Layla’s husband died, and Layla, despairing, died of grief. Majnun returned to her, but too late, and having nothing further to live for, was laid to rest beside her. Zayd has a vision of them in the next world:
“Eternal companions: he is Majnun, the king of the world in right action, and she is Layla, the moon among idols in compassion. In the world, like unpierced rubies they treasured their fidelity affectionately, but found no rest and could not attain their heart’s desire. Here they suffer grief no more. So it will be until eternity.”
And Zayd himself notes:
This world is dust and is perishable. That world is pure and eternal… Commit yourself to love’s sanctuary and at once find freedom from your ego. Fly in love as an arrow towards its target. Love loosens the knots of being, love is liberation from the vortex of egotism. In love, every cup of sorrow which bites into the soul gives it new life. Many a draft bitter as poison has become in love delicious… However agonizing the experience, if it is for love it is well.
Now what you want to know is probably: Did Eric Clapton know about all this?
I am yours.
However distant you may be,
There blows no wind but wafts your scent to me,
There sings no bird but calls your name to me.
Each memory that has left its trace with me
Lingers forever as a part of me.
There were once some frogs who lived in liberty, but they wanted a king. They asked Jupiter to give them a king. They asked in one voice no dissent, so it was all democratic and everything. Now, Jupiter knew these frogs weren’t the smartest bunch. So to placate them, he sent a piece of wood which splashed loudly in the pond.
This commotion scared the frogs at first. They approached their king cautiously, to make obeisance to him. When they realized their new ruler was just an ineffective lump of wood, they weren’t happy. They went back to Jupiter and asked for a better king. Jupiter was like, fine. And he sent a Heron to be their king.
The Heron flew down and began to eat the frogs, one after another. The frogs began to cry, and they begged Jupiter to deliver them from the throat of this tyrant. Jupiter replied, tough. The king which you demanded shall be your master.
Obviously said frogs didn’t know when they were well off: why, even their wooden ruler was good, or at least better than bad. And you have to figure that towards the end of the story, certain of the frogs were trying to arrange to be eaten last.
Then again, this does not look like a winning strategy for Mitt Romney, however wooden he may be: the last serious autoanimatronic Presidential candidate (as distinguished from a mere puppet) was defeated in 2000.
Lying in bed this morning, half-awake, I was suddenly gripped with a nagging concern over how to denote the title of a blog in writing? What does the style guide say? I haven’t checked yet, but are we supposed to italicize them, like an album or periodical (Instapundit, National Review,) or do we put them in quotes, like a song or essay (“The Daily Kos”, “The Uplifters Try It Again”)?
My own practice has been inconsistent over the years: I used to italicize faithfully any blog names I encountered, but I gradually drifted away from that, and now I tend to leave them as is. I don’t even have a good excuse for that, since I am generally conscientious about italicizing book titles and enclosing book chapter titles in quotes. (Same practice with record albums and “Track 4.”)
If nothing else, this demonstrates that I’ll probably be spending several millennia in purgatory reading the AP Stylebook. Or maybe the Fake AP Stylebook.
In much the same way that light is both a particle and a wave, Mitt Romney is both a moderate and a conservative, depending on the situation. It is not that he is one or the other; it is not that he is one and then the other. He is both at the same time.
Nor is this the only example of observed quantum behavior by Romney:
Frustrating as it may be, the rules of quantum campaigning dictate that no human being can ever simultaneously know both what Mitt Romney’s current position is and where that position will be at some future date. This is known as the “principle uncertainty principle.”
And really, this makes more sense than the once-popular Etch A Sketch model, which suggested that Romney was full of, um, aluminum powder.
The conventional wisdom about Nissan’s VQ engine is that the greater the displacement, the less appealing the sound of it: a Car and Driver scribe once asserted that the 3.7-liter version buzzes “like a blender set to ‘frappé’.” (The 3.0 version bolted into my car doesn’t sound bad at all.) Still, even if they stroked and bored it into the 4-plus range, it’s hard to imagine it making noises like this:
And then there’s the latest Merc’ Hammer. Yes it now has enough torque to strangle a humpback-whale, but at what cost? Even at idle, the old 6.2L engine burbles like the borborygmi of Cthulhu, and when prodded with a violent downshift barks like a stabbed Allosaur.