A few weeks ago, I mentioned an upcoming three-CD set, to contain every single instrumental track that made the Billboard charts in 1960. That set has now crossed my threshold, and here’s what you need to know.
Said Billboard charts contained 100 songs, plus a handful “bubbling under”; more than a dozen of these 81 recordings never made it out of the 90s, and one of them “Beachcomber,” a jazzy little piano tune (with strings attached) by Bobby Darin peaked at #100. It is therefore reasonable to assume that you haven’t heard all of these. I hadn’t. I did, however, notice that two tracks are switched on the first disc: “Summer Set” (Monty Kelly) and “Chattanooga Choo Choo” (Ernie Fields). Then again, surely you’d recognize that Choo Choo. (Gracenote, feeding Winamp the titles, has it correct.)
Your next question, perhaps, is “Do I know any of these?” Well, yes. The Ventures’ first hit, a version of Johnny Smith’s “Walk Don’t Run” that made #2, is here, as is Floyd Cramer’s “Last Date” (also #2), and the biggest record of the year, Percy Faith’s take on Max Steiner’s theme from A Summer Place, which sat at Number One for nine whole weeks. Some lower charters have had great influence, most notably Duane Eddy’s version of Henry Mancini’s theme for Peter Gunn, which you’ll instantly recall long before the third measure.
There was still in 1960 a tendency for cover versions to appear almost simultaneously with originals, so there are, for instance, two versions of “Smokie Part II” (Bill Black’s original, Bill Doggett’s remake “Part I” never charted), two versions of “La Montana” (which, with English lyrics, became “If She Should Come to You”), and three versions of “Midnight Lace,” the theme from a Doris Day film. (None of the “Lace” versions made it past #84, even Ray Conniff’s, which spilled into a Part 2 on the B-side; interestingly, they sound nothing alike except for that melody line.)
As it turns out, seventy-one instrumentals charted in 1960, so to fill out that third disc, there are ten bonus tracks: late-1959 items, or things which might have too many words to be considered instrumentals for instance, Al Brown’s “The Madison,” a song about a dance which requires the steps to be called off in sequence. Then again, Ray Bryant’s “Madison Time” is here, and it’s not banished to the back of disc three either.
The sound, breathed upon by the wizards of Eric Records, is generally quite good: most of these tracks are very clean, and none of them sound particularly overcleaned.
I suspect this set will appeal mostly to completists, which explains why I have it in its first month of release. The compilers plan a volume for each decade of the 1960s: next year’s 1961 set, which might fit on two discs I’m counting 52 tracks that would qualify should have nifty stuff like “Wonderland by Night,” “Calcutta” and “Apache” (Jørgen Ingmann’s imported-from-Denmark take, not the Shadows’ rowdier English version). About this time next year I expect to be reporting on it.
(Complete track list.)