Every year, the Central Oklahoma chapter of the American Institute of Architects celebrates Architecture Week, and it finishes off with a tour through a number of Notable Structures, one of the events I do my darnedest not to miss, and the more-or-less constant drizzle today managed not to cast a pallor over the proceedings. Mostly. The starting point was a tour stop last year in its larval stage, but now it’s a highly-contemporary butterfly.
1) 3940 East Wilshire Boulevard
What I said last year: “Worth Ross and Jim Roth are having their dream home built on the city’s heavily-forested northeast side, in an elevated location that provides for both excellent drainage (just in case) and a formidable view of the city. Roth, who served on the state Corporation Commission, called for maximum green wherever possible, and he got it: the walls are Insulating Concrete Forms — R-50, they estimated — the countertops are recycled glass, and the heating and air-conditioning are geothermal. The location allows for only minimal landscaping, which is just fine: what’s already there is lovely enough.”
Well, the bathroom countertops, anyway. The kitchen surfaces are done up in recycled concrete in an I Can’t Believe It’s Not Marble mode, and they’re impressive. And yes, so is the view from the far side of the pool.
2) 4224 North Lincoln Boulevard
The nonprofit Infant Crisis Services is a last resort for families with very young children “until they are back on their feet or until they become qualified for government programs.” The new facility was made possible by a grant from the Donald W. Reynolds Foundation. It’s lovely, but mostly it’s functional, and I admit I spent most of my time in the stockroom, surrounded by racks of clothing and diapers and formula and whatnot, where it dawned on me that I’d actually contributed to ICS before, in response to an emergency social-media campaign. (Imagine that.)
3) 1228 Northwest 36th Street
A 1916 modified-Craftsman house updated for the 21st century, this is the home of architect Kenneth Fitzsimmons. Perhaps surprisingly, little reconfiguration was required, though the kitchen was reoriented and the passage to the dining room was enlarged; to the maximum extent possible, the original woodwork and masonry has been preserved, so that there’s still a 100-year-old feel to the place, despite the presence of modern-day amenities. There’s a second building on the back of the lot, which is being converted into a work room/studio.
4) 1444 Northwest 28th Street
Originally built in 1911, this was a church for most of its existence, most recently the Temple of Faith; it’s now the home of United Way of Central Oklahoma, which has kept most of the exterior intact while dividing the sanctuary into office space and community rooms. Nothing fancy, but everything in its place, and a quiet place at that. Then again, you’d expect a moment of silence from a church, right?
6) 825 Northwest 7th Street
Last time I was here was mid-November, apparently before the house, designed by Brian Fitzsimmons, had been dubbed the Oklahoma Case Study Home, after the famed series of Case Study Houses built mostly in the Los Angeles area after World War II. “Modernism for the masses” was the idea, and this house, which scowls down over the rest of 7th — the lot slopes 16 feet back to front — is a high point (sorry) in the reclamation of this part of town. Since I took this shot last fall, progress has been made, and the channel that runs alongside that endless staircase is now packed with stones.
7) 125 Park Avenue #200
I remember that I was somewhat skeptical when this building opened as office condominiums a few years back; how many people will want to buy into a smallish (for downtown, anyway) five-story tower? Under the general heading of “Shows you how much I know” you’ll find Visual Image Advertising, which took two floors. Suite 200 actually is the Account Service area; the Creative Level is upstairs in 300, and it’s described as “a place of media consulting magic.” At the very least, it kicks the standard cubicle farm’s mass-produced behind.
You may have noticed the absence of 5), which was the center of the Wayne Coyne/Flaming Lips compound in the Classen-Ten-Penn area, but as Trini noted after about fifteen minutes of standing in the rain, the line just seemed to be getting longer, so with the expectation that Coyne’s not going anywhere and there’ll be another time eventually, we moved on to the next stop.
(Photographs by me except #4, from LoopNet, and #7, by Simon Hurst. Previous Tour reports: 2007, 2008, and 2009.)