It’s about time, right?
Embiggenment via the handy CLICK method.
It’s about time, right?
Embiggenment via the handy CLICK method.
Fox has put in development Queen Of Everything, a half-hour animated comedy executive produced by Zooey Deschanel and Sophia Rossi via their Miss Hawkins banner. It hails from 20th Century Fox TV where Miss Hawkins has a first-look deal. Written/executive produced by Ali Waller (American Dad, Late Night With Jimmy Fallon), Queen Of Everything is a workplace comedy set in a modern fairytale world. It centers on an evil queen who comes into power and realizes that running a Queendom isn’t easy when you have no people skills and everyone hates you.
Rossi and Deschanel are also partners, with Molly McAleer, in the Web site HelloGiggles.
To Tommy, From Zooey.
It sounds a bit like a love note, but is in fact something different altogether — the name of a new capsule collection designed by Tommy Hilfiger and Zooey Deschanel, the doe-eyed actress, musician and star of the hit TV show New Girl. The collection, which will mainly consist of flirty dresses, will make its debut at Macy’s this spring.
Well, this certainly seems flirty enough:
We will try to overlook the miraculous job they did of transferring every last sign of age from ZD to the steamer trunk.
The dresses will be priced at retail for between $98 and $199, and 14 of the 16 styles will launch at 200 Macy’s stores beginning April 14.
On April 21, the entire lineup is set to reach tommy.com and Tommy Hilfiger anchor and specialty stores in North America, Europe and Japan. Select Tommy Hilfiger stores will also carry Deschanel-designed jewelry and handbags.
Tommy has an outlet store here in Oklahoma City; I expect to see these dresses no earlier than Memorial Day.
About a year ago, Buzzfeed wanted to cast name-brand actor types as My Little Pony characters, and the very first one they came up with was Zooey Deschanel as Twilight Sparkle. Said I at the time: “I appreciate the effort to push two of my smaller obsessions into a larger one.”
Which I promptly forgot about, until Sarah Lovell took this picture at DragonCon and it showed up — as usual, uncredited — on Derpibooru.
It must be said here that I look at a lot of cosplay pix, and Rarity and Applejack always seem to come off well, but I’ve never been particularly keen on any of the Twilights — until, um, now.
Last time out, I had occasion to mention a late-Eighties advertising campaign by Hanes — the ever-popular magpie functionality, you’ll be pleased to note, is running flat out — and after looking at a few of the articles in question, this one, I decided, was the silliest:
I’m not entirely certain that this beachlike setting is the ideal place to show off one’s hosiery, but then, she’s been up the Nile and down the Mississippi and around the world and across the nation and up your street, so Claire, who seems vaguely manic-pixie-dream-girl-ish here, can pretty much do as she darn well pleases.
Oh, and the bird with the short attention span reported, as I was typing that last paragraph, that “Claire” is Zooey Deschanel’s middle name.
This being Labor Day, be assured I have labored long and hard for this moment.
Per possibly permanent Palooza practice, click to embiggen.
If you come to see She & Him, you will quickly discover that She doesn’t want you taking pictures:
The American indie duo made up of Zooey [Deschanel] and M. Ward have been on tour with album, Volume 3, in the US since June.
But the stunning actress and singer/songwriter has been putting up signs to stop people from frantically snapping pictures and recording videos because she wanted her fans to enjoy the music.
So we will have none of this:
“Not much of this,” I suspect, is more likely.
The fourth album by She & Him is called Volume 3, a title which perhaps is curious for its use of the digit instead of spelling out the number as they did in two previous albums, not including the obligatory Christmas album, which I bought but did not review, inasmuch as it didn’t really fit into whatever grand scheme Zooey Deschanel and M. Ward were planning, except of course for (what else could it be?) World Domination.
Based on the evidence of Volume 3, I’m ready to hand over the premises. The eleven ZD originals here show serious growth in her songwriting chops, plus a certain amount of unexpected faithfulness to one of my own guiding principles: love is composed of the magical and the mundane, not necessarily in equal quantities. As an object lesson, see track eight, “Together,” arguably ZD’s drippiest bit of romantic tomfoolery since the tearful “Sentimental Heart” on Volume One, which somehow remains grounded: she (mostly) keeps the quaver out of her voice, and not even the shimmering strings that come in during the instrumental break (nice touch, Mister Ward, sir) can drag it over to the weepy end of the scale.
As always, S&H have selected some unexpected covers: Blondie’s “Sunday Girl,” a track from Parallel Lines which was never released Stateside as a single; “Baby,” the B-side of Ellie Greenwich’s demo-turned-single “You Don’t Know”; and the early-Fifties torch song “Hold Me, Thrill Me, Kiss Me,” mostly remembered today as a mid-Sixties soul single by Mel Carter. Deschanel’s reading of “Hold Me” is heavy on the torch.
And as always, Ward’s production is simultaneously impeccable and unobtrusive, and his instrumental work is always appropriate. (He also sings a bit, mostly on “Baby.”) Nicely, he cuts off the strings-and-choir reprise of “I Could Have Been Your Girl” at the close, right before you begin to wonder why it’s there in the first place.
I admit to speculating a bit as to whether any of these songs were intended to recall ZD’s recent split from Death Cab for Cutie frontman Ben Gibbard. Maybe a little: “I’m stronger than the picture that you took before you left” (from “Turn to White”) sounds ever so slightly accusative. But that’s about it: if there’s sadness here, and there is, it’s a generic, and possibly more universal, sadness. And that, too, is a component of love, though determining whether it’s part of the magic or part of the mundane is way above my pay grade.
The second single from Volume 3, the fourth album by She & Him, has been sort-of-enhanced with a video that She directed:
This sounds like it ought to be on one of Ace’s Early Girls compilations. Then again, so did “Never Wanted Your Love,” the first single.
I’ve already snagged my copy of Volume 3, and a review will be forthcoming when I get around to it.
Feel free to debate the significance of the title.
Earlier this week I professed to be puzzled at the very un-Zooey-esque Tommy Hilfiger dress Zooey Deschanel wore to the Met Ball, which looked for all the world like seersucker, as though ZD were the sucker who bought it at Sears. (Mr Hilfiger would like you to know that this is in fact gingham, which is even haute-r couture.) Perhaps more to the point, though, was the complete absence of bangs, making her look like — well, like her older sister Emily, sort of. Not that Emily is a slouch or anything.
But that was Monday. Here’s Zooey, hanging around outside before her appearance on David Letterman’s Late Show on Tuesday:
I’m almost afraid to hunt down pictures of whatever the heck she was doing Wednesday.
Last week I pointed out that Hannah Simone of New Girl was starting to look like Zooey Deschanel. This is perhaps a Good Thing, since based on the evidence presented at the Met Ball, Zooey Deschanel doesn’t want to look like Zooey Deschanel anymore:
The only visible trace of ZD’s patented quirkiness is the fact that she wore seersucker — and a sort of lavender seersucker at that — to a gathering where the prescribed dress was “PUNK: From Chaos to Couture.” (Now Madonna, she’s clearer on the concept.)
We know it’s not reality-based. Cute girls just drop in on a group of guys and bring their friends. All. The. Time. Big Bang Theory started with one girl and now has one for every nerdy guy. Zooey’s new show has Hannah Simone as the first of many potential models to visit the apartment.
This may be why I never watched Big Bang Theory: I never could believe the notion of one girl for every nerdy guy. (I blame Jan Berry, who swore that in “Surf City” it was two-to-one, though those guys presumably weren’t nerdy.)
And I don’t think this scheme is going to work for New Girl, since Hannah Simone seems to be turning into Zooey Deschanel. Take a look:
Were you to put tights on Hannah, the illusion would be complete.
Just to hammer the point home, here’s the whole cast, with the real Zooey at center, or so they’d like us to believe:
Now when the guys start looking like Zooey, then I’m gonna worry.
Oh come on, Fox twitter.com/peterogburn/st…
— Peter Ogburn (@peterogburn) April 20, 2013
You guys at the Oklahoman are officially forgiven for this.
Addendum: Zooey Deschanel has in fact seen that.
Further addendum: The captioning service has apologized to ZD.
How long has it been since you had a big, heaping bowl of Deschanelity?
Well, that’s too long.
As per usual Palooza practice, click = embiggen.
It took the Baseball Crank to remind me that I have been remiss:
Crank links to this. With that in mind:
Mousing about may prove enlightening, or at least enlargening.
Rainn Wilson tweeted this Monday: “I’m like Zooey Deschanel without the quirkiness, beauty or vagina.”
Replied Zooey: “Why? Did you get bangs?”
In response, Rainn put up a vintage photo of himself at around age 14.
You know what’s coming next, right?
On the left, one of Zooey’s high-school yearbook pictures; at right, Rainn’s vintage photo. In view of same, we find Mr Wilson to have made his case, or at least two-thirds of it.
Just to clear up a lingering matter: I am not out of pictures of Zooey Deschanel. And to prove it:
That which is shrunk will grow with a little bit of mouse attention.
It’s unclear as to how much of the internet’s collective rage against Zooey Deschanel is actually based on her as a person, but we do know that a huge percentage of it stems from her character’s treatment of Our Beloved JGL in (500) Days of Summer. How many of us sat at home on our couches (or, let’s be real, in a movie theater full of strangers), yelling, “It’s okay, my sweet prince, I will love you forever! Forget her and come let me lick your precious, be-sweatered wounds!!” (possibly whilst licking the screen)? Or was that just me? I have a hard time believing that we all didn’t feel a serious pang of jealousy as we watched poor TomTom’s heart get torn to shreds by a set of bangs wearing little girl dresses, unable to do a thing about it. Whether he’s drawing on our arms, kissing us in the copy room, or simply gazing at us with eyes that resemble warm chocolate cupcakes, Tom would be a perfect fictional boyfriend.
To tell you the truth, I think it was just her. And whence cometh all this “rage” against ZD? I can think of things she’s done that are far worse than picking on little Tom-Tom, and you don’t see me with knotted BVDs.
In the movie, we see on a number of occasions that Tom’s own perception of Summer is very different from reality. The “expectations vs. reality” scene is probably the most obvious example. Based on all of Summer’s past behavior, including her admittance that she isn’t ready for commitment and her continued disinterest during the relationship, Tom still EXPECTS her to want him. He expects her to greet him with love and affection after all that time, because he’s just the nicest guy, you know?
In reality, she’s just a smart, thoughtful twenty-something who knows herself well enough to know that this guy is not the one for her. She initially turns him down, which should have been the Big Damn Signal of Truth and Destiny (“dude, she’s just not that into you”). But Tom is persistent, and she is, presumably, lonely.
I am so stealing that bit about the Big Damn Signal of Truth and Destiny.
If there’s a lesson in this, it’s simply: be wary of the Manic Pixie Dream Girl. The most immediate effect of being swept off your feet is losing your equilibrium.
It is not necessarily a good thing to get article ideas from Zooey Deschanel.
Britain’s Daily Mail seems awfully impressed by what Zooey Deschanel was wearing earlier this week:
The New Girl actress was seen arriving at a Los Angeles studio wearing a denim pencil skirt, grey blouse and a cloche hat bound with a ribbon.
And they felt compelled to explain that last item:
The bell-shape style of headgear, originally sketched in 1908, was popular in the 1920s, and has become fashionable again in recent years.
They did not, however, explain how they determined that this distinctly A-lined denim number qualifies as a “pencil skirt.” Then again, the skirt is curious for other reasons. Jimmie Bise of Sundries Shack and The Delivery fame opined yesterday that “I’m pretty sure her skirt is on backwards.”
When I demurred, Jimmie elaborated: “Those look like back pockets, and the waist looks like the rear of the skirt.”
I was ready to chalk this up to Quirkiness and/or Adorkability, but the last word came from Emily Grace: “Nope- it’s the front. You can tell because the pockets were tipped out. Back pockets wouldn’t been straight.”