“You can’t be a beacon,” warned Donna Fargo, “if your light don’t shine.” Not a whole lot of women in country music were writing their own stuff in the 1970s, and to their credit, neither of the major labels for which she recorded — Dot, then not yet on the wane, and Warner Bros., new to Nashville — pushed her (much) to record covers of other people’s songs. She’s probably best remembered for “The Happiest Girl in the Whole U.S.A.,” but at least some album-cover compilers thought of her as the leggiest girl in the land. This is the liner of the Dot Happiest Girl LP:
Five years later, the jacket of her Warners album Shame On Me:
And from the fall of 2016, a compilation of her Warner Bros. work on Varèse Sarabande:
Just to put the emphasis back on Donna’s way with words, here’s a deep cut from the Happiest Girl LP which has so far escaped reissue:
I love that. “Society’s got us by the you-know-what” — but doesn’t it always?