It’s not exactly Carpool Karaoke, but it’s still fun:
Eight years after the fact, “Friday” remains a cultural marker.
It’s not exactly Carpool Karaoke, but it’s still fun:
Eight years after the fact, “Friday” remains a cultural marker.
It never, ever just fades away:
It was eight years ago that “Friday” went viral.
We open with just a hint of Wikipedantry:
Man Man is an experimental band from Philadelphia. Their multi-instrumental style is centered on the piano playing of lead singer and lyricist Honus Honus. On recordings, Honus usually plays piano but during the live shows he uses a Rhodes Piano or a Nord Electro 3. He is accompanied by an energetic group of musicians and vocalists. Instruments played by the band include a clavinet, Moog Little Phatty, sousaphone, saxophone, trumpet, French horn, flute, bass clarinet, drum set, euphonium, Fender Jazz Bass, Danelectro baritone guitar, xylophone, marimba, melodica and various percussive instruments including pots and pans, toy noisemakers, Chinese funeral horns, spoons, smashing plates, and fireworks.
Man Man frontman Honus Honus broke the news [Wednesday] on Instagram: Rebecca Black will be the band’s “special guest” at a few of the forthcoming shows on the band’s March West Coast tour. Presumably, this does not mean that she’ll do a traditional opening set. I’m imagining she’ll come out at the peak of Man Man’s set for a huge, cathartic “Friday” singalong.
By “a few” is apparently meant four out of seven.
I am so excited to tell you guys that I’m joining @honushonus on their west coast TOUR!!! ⚡️ Seriously I cannot wait to see your faces and play all new music for you guys, this is a straight up D R E A M. Tix on sale NOW. See you there 🦋💛 https://t.co/nNFXtv0ch0 pic.twitter.com/drFDVurTti
— Rebecca Black (@MsRebeccaBlack) March 2, 2019
And I figure, hey, she’s not going to displace the likes of Ariana Grande, so why not raise the freak flag for a few days?
Rebecca Black visits The Millennial Report:
Running time: about 40 minutes.
Incidentally, “Anyway,” the current single, is running about 10,000 YouTube views per day. Obviously it’s not close to catching “Friday,” which in its two runs has over a quarter of a billion views, but hey, it pays the biils.
And just when I’d gotten used to Rebecca Black dropping new music on, um, Friday, this one appeared on Thursday:
Really, it could have come out Monday noon, and I’d still grab a copy.
This is not something I’d have expected on the river Pecos:
Judge Roy Bean (1825-1903) was understandably not available for comment.
WHEEL! OF! FASHION!
I assure you, this is no sillier than the sixty thousand other fashion vlogs.
Four million of ’em, in fact:
— Rebecca Black (@MsRebeccaBlack) December 7, 2018
It’s not making her wealthy, exactly — at $7.50 per thousand, four million streams would bring in $30,000 — but that’s probably enough to pay the rent, and it helps that she owns almost all her own masters, meaning she’s not having to split it with anyone other than the taxman.
In the P. T. Barnum sort-of-biopic The Greatest Showman, Zac Efron and Zendaya duetted on “Rewrite the Stars,” a new love song loosely based on all the old love songs; Zac’s character is singing to Zendaya’s that somehow, some way, they were supposed to be together.
Matt Bloyd and Rebecca Black have one common experience: they were both Artists on Fox’s The Four, and after winning the right to continue, they were defeated in a Challenge Round. Is that enough for them to sing “Rewrite the Stars”?
The answer may not be a Z, but it’s definitely a Y.
Including, I suppose, myself:
— Rebecca Black Brasil (@rebeccablackbr) October 20, 2018
I know this feeling perhaps better than I ought to admit:
Oh no I cooked with garlic and even though I’ve washed my hands 7 times I think my hands will smell like garlic for the next 23 years
— Rebecca Black (@MsRebeccaBlack) September 17, 2018
(If you care, she’ll be 44.)
"Gotta get down on Friday."
In this #CreatingConversations interview, we examine the dark side of internet fame & value of authenticity—and it all stems from a lyric. @Armand_Piecuch & @clareyfrey spoke w/ the icon who wrote it, @MsRebeccaBlack.
— CenterTable (@MeetAtCT) September 18, 2018
Well, actually, she didn’t write it, but it’s an interesting interview (about 16 minutes, followed by the current single “Satellite”) just the same.
It seldom comes naturally, even if you have celebrity credentials:
At 18, after graduating from high school and moving out of her parent’s house, Rebecca Black resolved to start pursuing her dream of a music career in earnest. But as soon as she began to take lessons and, as she puts it, “figure out what music I really loved and what I wanted to say,” the years of abuse came flooding back. “When I would walk into a studio,” she recalls, “all of the sudden I felt like I couldn’t speak.” It had been five years since “Friday’s” release, and Black thought she had made peace with the demons of her tween years. In reality, she shares, “all of those problems and all of those issues that you would think, or at least I thought, would just kind of dissolve or fade away or not be real, I had to deal with them.”
The path to empowerment, the 21-year-old reveals, has not been an easy one. When she considers her state of mind following the video’s release as well as what advice she would share with a young person facing cyberbullying, she realizes that what she needed most was someone to remind her, “that it was okay to be upset. I see so many people saying, ‘you got to be strong, stay strong, stay strong’,” she shares, “but you can’t get strong until you actually build that strength. And you can’t build a false sense of strength.”
Well, you can, but it won’t do you the slightest bit of good.
“Satellite” was the hidden delight of Rebecca Black’s RE/BL EP: a previously unheard track with enough gumption to stand alone as a single. It was duly released, and vanished into the ether like so many others.
Then this was announced:
🛰️ NEW SCHIER REMIX 🛰️@MsRebeccaBlack – Satellite (Schier Remix)
— BonFire Records (@BonFireRecs) August 31, 2018
A few tries to get to BonFire’s Web site fell short of actually doing so.
“You’re gonna buy it anyway, why not go straight to iTunes?” Why not, indeed? Schier trimmed the original by a few seconds and gave it more of a backbeat. Will this be enough to get back on the Billboard dance charts? I did what I could.
— Celebskart (@celebskart) August 17, 2018
The film is based on a 2014 novel by Jenny Han. I’d bet almost anything RB has read it.
This requires, I trust, no explanation:
— RuPaul's DragCon (@RuPaulsDragCon) August 10, 2018
Good old Ru. By now, he’s an industry all his own.
Scene: a park in Beverly Hills. Rebecca Black is somewhere between yoga positions:
Which may or may not help this condition:
I realize I have probably tweeted a variation of this at least 67 times in my twitter career https://t.co/DIQA97mKYz
— Rebecca Black (@MsRebeccaBlack) July 26, 2018
It’s a situation I know too well.
Two weeks ago, Ariana Grande put out a new single, “God Is a Woman.”
Last weekend, before an onstage performance, Rebecca Black and guitarist Justin Muncy recorded this stripped-down version:
Twenty thousand views in the first two days, with neither unearthly shrieks nor multiplexed choirs.
They happen to all of us at one time or another:
QUICK THING! I sent my MacBook in a week ago to fix an issue where my computer battery would not charge despite it showing that it should be..just got it back supposedly with tons of new parts BUT HERE WE ARE AGAIN. Has anyone else had this problem? this computer is only 6 mo old
— Rebecca Black (@MsRebeccaBlack) June 26, 2018
Please tell me the MacBook’s battery is actually replaceable.
At least her phone seems to be working.
Yesterday, Rebecca Black turned 21, and like pop stars of old, she had been on the road:
I am going to New York for 36 hours and I am packing 11 outfits
— Rebecca Black (@MsRebeccaBlack) June 18, 2018
And now she’s back in California for VidCon.
Meanwhile, I’d love to know who set her up, presumably temporarily, with this vintage Benz:
Decision-making was presumably simplified by the fact that this car has no back seat.
Girl gives good glam:
— Rebecca Black (@MsRebeccaBlack) June 9, 2018
And somehow I missed this from last fall’s tour:
No matter what happens in the next 60 years, she’ll always have “Friday.”
Rebecca Black’s six-track EP RE/BL contained four songs we sort of knew — “Foolish” and “Heart Full of Scars,” both the original mix and the Crash Cove remix of “The Great Divide” — plus two we didn’t. By a considerable margin, this is the better of the two:
And to promote this single, if single it be, she did a brief interview with the BBC. And she has, reasonably enough, a bottle of water with her; as the Beeb will, the label on the bottle has been blurred beyond recognition.
Finally, we must mention The Four, a Fox TV music competition whose second season began last night. RB, singing NSYNC’s “Bye Bye Bye,” got a pass from all three judges, though the challenge round, in which she knocked out a take on Natalie Imbruglia’s “Torn,” got her knocked out.
It’s nice to know that standards still prevail:
— Marie Claire (@marieclaire) May 22, 2018
swear to god if i see this in a whole foods………. https://t.co/PBfWudtxxN
— Rebecca Black (@MsRebeccaBlack) May 24, 2018
Bless you, Bex.
Or thereabouts, anyway:
Momma n I! I love you forever and ever and always and always 🧡 pic.twitter.com/N2ZkWcqqsn
— Rebecca Black (@MsRebeccaBlack) May 14, 2018
RB turns 21 next month.
Yeah, it’s Friday. And I pulled this off Rebecca Black’s Instagram because — well, because.
I mention purely in passing that she’ll be 21 next month.
Playlist Live hosts a three-day event where online creators and their biggest supporters come together in one place for an unforgettable experience. The weekend begins on Friday with Business Day then Saturday and Sunday are the core days of our event. When you attend Playlist Live there are non-stop interactive activities going on throughout the entire weekend. We take pride in being the top creator event of our kind and are excited to ring in our 12th Orlando event this 2018!
And once again, Rebecca Black is there:
WHERE TO FIND ME THIS WEEKEND: I'll be speaking, singing, and hugging a whoooole lot of you! pic.twitter.com/AYG3rfmVzS
— Rebecca Black (@MsRebeccaBlack) April 27, 2018
Definitely devoted to her fan base.
And since snow and sleet are due here soon, here’s the party girl herself looking all warm and such:
Then again, according to the archive, this shot dates from 31 December 2017.
Rebecca Black gives good red carpet:
And it shouldn’t take much to figure out the premise of this Web series:
RB and AwesomenessTV go back a while: she was one of the three leads in one season of Royal Crush, and she still does their series Give Good Text. In a weird interplay of timing, the current episode of GGT is about, um, ghosting.
There are people out there who would kill, or at least maim, to go viral and make a small fortune in a short time. And then there are those who had virality thrust upon them:
Thank you @cnn for including me in this piece about the psychology of going viral. Virality is something more + more people experience nowadays – hopefully this can give some guidance on handling it. https://t.co/5Xz2RXvOn7
— Rebecca Black (@MsRebeccaBlack) March 16, 2018
“Told you so,” came Warhol’s voice from behind the drapes.
Things are getting downright cryptic chez Rebecca Black. For one, there’s a new Twitter photo:
Meanwhile, this turned up:
— n3rdopolis (@n3rdopolis) March 2, 2018
Your guess is at least as good as mine, maybe better.